Description or summary of the book: This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.Set out in thematic sections, the book addresses key issues in the field including:the development of colour technologyhow visual stule was affected by the shift from black and white to colourcolour in film theory and the writings of authors such as Bresson, Eisenstein and Oshimacolour in the films of Godard, Hitchcock, Almodovar and many more.Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.
Estimated reading time (average reader): 12H50M23S
Other categories, genre or collection: Interdisciplinary Studies, Film Theory & Criticism, Media Studies, Films, Cinema
Available formats: DOC, RB, PDF, PPT, WORD, EPUB, PML, TXT. Compressed in RAR, ZIP, JAR, TAR